{"id":197,"date":"2022-09-15T08:18:08","date_gmt":"2022-09-15T08:18:08","guid":{"rendered":"https:\/\/theblubox.it\/?page_id=197"},"modified":"2025-02-08T22:02:13","modified_gmt":"2025-02-08T22:02:13","slug":"bartolomeo-migliore","status":"publish","type":"page","link":"https:\/\/lnx.sburlati.com\/theblubox\/bartolomeo-migliore\/","title":{"rendered":"\/BARTOLOMEO MIGLIORE"},"content":{"rendered":"\n

\u201cBartolomeo\u2019s Bad Beat\u201d<\/strong><\/p>\n\n\n\n

Looking closely through the lettering, under the tags and phrasing, one will see the scientific spelling-out of how to win or lose money. A Bookmaker\u2019s \u201cboard\u201d. Printout after printout abandoned on the betting agency\u2019s floor. Who scores big will keep the sheet, who takes the beat will drop it.  Bartolomeo\u2019s bad beat sheets supply the nervous impetus of lettering and numbers that kindle Migliore\u2019s graffiti and branding\u2026a practice that began long ago during his guitar-pounding, album cutting, early 80s Punk phase. After 40 years,  Bartolomeo has highly refined his graphism without losing its primitive lure. LP, 45\u2019s or  CD  circles and fragmented  phrasing,: Lettered and littered, scratched and scribbled, erased and restarted\u2026 lost protests, forgotten band-names and advertising.<\/p>\n\n\n\n

The Sucker\u2019s bad -luck documents  have been sealed forever in plastic after the artist\u2019s transformation.  Start over time-capsules.<\/p>\n\n\n\n

            -Kspaces Torino archive<\/p>\n\n\n\n